Getting The Best Sound At Your Wedding Part Two

In our last article we looked at some of the common things to think about when booking a sound system for a wedding. In this article we will further the discussion and look at more of the technical terms and questions you may be faced with.

PAT
PAT or portable appliance testing is a test that determines if an electrical item is safe to use. Hotels and wedding venues often ask for the DJ or sound hire company to provide a PAT to prove their items have been tested recently. Most sound hire companies will have a PAT certificate they can give you or the venue upon request.

Public Liability
Similarly to the PAT certificate most venues will request proof of public liability from anyone working at the venue. Again most companies will have a copy handy to forward to the venue.

Power Source
Most hotels and venues have an adequate power supply for the rooms they provide. Some sound companies will ask you what power supply the hotel has. This is a question you should forward to the venue manager. What the sound company is asking is what plug sockets the hotel has. For smaller rooms most hotels may just have 13 amp house hold sockets. These are the normal sockets you find in your home. For bigger venues they may have a 16amp c-form socket, 32amp c-form socket or anything up to 125 amp 3 phase power. Basically the more ‘amps’ the venue can provide the larger the system  can be. For the most part a sound system providing sound for 150 people will have sufficient power from a 16 amp socket.

Marquee Power Supplies
If your holding your wedding in a marquee, power is usually  supplied from a generator. The generator is normally provided by the marquee hire company but its best the check. A sound hire company usually needs to know the sockets the generator will be providing (Similar to the sockets in the power source section) but they may also want to know how big the generator is in ‘Kva’. This is a measurement of power and the bigger the sound and lighting system is the more you need!

Look out for more information on wedding sound and lighting hire for marquees in a later post.

Getting The Best Sound At Your Wedding Part One

Whether hiring a sound system for a DJ or for an iPod to be plugged in to, there are a few simple things you can do to ensure you have a sound that will not disappoint. This is the first in a series of articles that will help you get the best sound at your wedding.

Firstly I would look at whether the sound system you are hiring comes with a subwoofer or not. These are the things that produce the bass/low end of the music. If you want to create a part atmosphere with people dancing you will need a subwoofer. The bass is the part of the music that makes you want to dance. Without it the music is only good for background music or speeches.

Its tough to understand what brands of speakers are good and what are bad. We would suggest avoiding the lowest quality brands such as Behringer, Peavey and Wharfedale and instead look out for quality brands such as Martin Audio, Kv2 Audio, Nexo & Logic to name a few common wedding sound systems.

Have your sound hire company liaise with the technical manager or event manager at your venue. This way the two can talk in technical terms about any common problems the venue faces during events with sound and lighting.

A common issue that comes up at inner city venues particularly is issues with licensing laws. If you want your party to go on until the early hours then you need to make sure your venue has the license to do so. If your hoping the music will be loud then also check the restrictions that are in place on music volume. Some venues have decibel meters that control the level of the music by simply cutting the power to the sound system.

For the next section on sound for weddings and the technical terms you may face please click here.

You Guys Are Amazing! Things You Should Say To A Bad Band

If there is one thing that really rattles me, its people not telling the truth. When a group of musicians are first starting out, chances are there are at least a few things that need improvement. Quite often a band has some serious issues that need to be addressed. The problem is that when a band member asks the opinion of a friend, that friend is usually going to be polite and say ‘you guys are great!’. This results in the band seeing no reason to change or improve anything about their performances & they continue with poor gigs.

When I watch a friends band I usually start by finding at least a few positive points about the band. There is always something like a good stage presents, good song or set structure, well thought out guitar sound or image. Telling them about the good things in the band makes them feel good about themselves and gains their trust for when you say what you diddn’t like.

You then need to mention a few things that they need to improve on. Only a few. And make sure they are the most important. Not image, not how their Facebook page is laid out….THE MUSIC!!!!. You should only mention a couple of things to improve on because there is only so much a band can do at once. Ive always got  improvements a bands could make, but if Im commenting on what your wearing, take it as a complement because your music rocks!

When your asked your opinion as a friend you need to be honest with them. Lying to a band will just make them more confident with their performance and will result in their down fall.

 

 

 

 

Why Spotify Ruined My Party

The best bit about hosting a party at my house was that I got to play the music I liked. During my party I could be the DJ. I would select the tunes from my limited collection and ‘educate’ my friends on what I have been listening to recently.
Now with the advent of Spotify and Youtube, everybody seems to think they can jump in and be the DJ. Now I wouldn’t mind so much if people did it properly, but they don’t.

Picture this. Everyone is in the garden, drinking a beer, listening to some reggae & generally having a good time. It only takes one ego to decide he wants to listen to a death metal tune that he knows is on Spotify for the whole vibe to change. Whats more is that once they have their song on they sit down. Then you end up getting an advert – AN ADVERT! AT A PARTY! what a killer that moment is. Then because they havn’t selected another tune it falls silent. Thanks death metal man for ruining everything.

I went to a party where there was a laptop set up with Spotify on. Everyone could pick a song. Great idea? Maybe not. What happened was every song got changed half way through by some muppet who thought his song was better than the one playing. Not only this but at times the laptop would get fearlessly guarded by someone who insisted on playing the entire savage garden back catalogue. God help us.

If you want to play the music you like at a party then thats great. But you need to ease your audience from the style thats being played to your style. Take them on journey and educate that way. If your the one organizing the party please don’t just leave spotify open for anyone to abuse! It does not work! Either have a DJ or create a few playlists. I personally turn the wireless off on my mac so no one can jump on Youtube and crank out Diana Ross.

Any way see you all at Beaverfest on 28th May Leeds!

My Style Has Soul In The Mix!

Dj TiëstoI was recently having a chat with a DJ when he said “everyone is in to this now so thats what Im playing” he then went on to say that he was enjoying the tunes I was playing on my iTunes and he would like to come round and rip them in exchange for me ripping his collection.

The thought of playing something because other people are enjoying it and not because you love it fills me with disdain. I would like to think that the songs I choose to play (as a bedroom DJ) represent me and the style of music that I enjoy. The music I play is defined purely by what I enjoy. With my taste in music being as unique as the next persons this by default gives me a unique style. Playing something because other people like it gives you a soulless selection of songs.

I spend hours upon hours searching for quality songs. I spend my hard earned cash buying those songs. The selection of songs I have is a personal collection that represents the music I love. If you think you can come to my house with your hard drive and rip my entire library you can think again! I don’t mind telling you the names of tracks you like but this is my selection. My style. Get your own style and create soul in your mix!

Do you mind when people copy your entire music library?

Indie Bands Love Their High Pitched Twangy Noise

There is one thing thats really bugging me about local un-signed indie bands recently. Their insistence on having every guitar in the band playing the same high pitched guitar sound throughout the entire set. I can only imagine they do this because their favorite bands have a high pitched guitar sound in their mix. They have a high pitched guitar sound in the band but that doesn’t mean you should have 3 guitars doing the same thing!

Indie bands, I know who your favorite bands are, I know you love that sound but please do just one thing for me. Put your own ego aside for a moment and listen to the sound of your band. Listen to the collection of instruments on stage and how them work together.  That high pitched, tinny Fender guitar sound that you love so much is great, but your guitars need to complement each other, not battle each other.

Its an insult to my ears. There is no depth to the sound & the two guitars are continually battling for the same space in the mix. Why  not have one guitar doing the high sounds and the other providing a more rythmic backing on a hum-bucker pick-up?

Ok so the high ‘twangy’ sound on a bass can work well within a band sometimes. If your in a three piece there is space within the mix for the bass to play slightly higher to cover the range of frequencies that the guitar is not. The problem starts when you already have two guitars providing the ‘twangy’ sounds. The bass is then suddenly battling for position in the mix. If your going to have high pitched, sharp guitars then the bass should look to complement that with a low, smooth sound. It might mean your bass player doesn’t get noticed by the good looking girls at the front quite so much but if thats what he wanted then he should have become a singer.

If your still not convinced then listen to the sound in the embedded Youtube video. Listen to the guitars and how the two complement each other. One plays the high ringy sounds and the other plays a lower smoother sound that sits just above the bass line. Three guitars that complement each other perfectly.

Id love to hear your comments. Even if they are completely irrelevant!

 

My Style Is Better Than Your Style!

As a youth in my home town there seemed to be a fierce rivalry between the ‘punks’ & the ‘metal heads’. Neither willing to appreciate the others style. The truth is there were only a handful of bands in either scene. A better option would have been for us to appreciate others tastes in music and co-oporate to create a better music scene in the town.

I feel sorry for people who don’t enjoy the style of music I like. I feel sorry for them because I think every style of music I enjoy provokes a different type of feeling within myself. The sensation I get in the pit of my stomach when listening to my favorite drum & bass track is totally different to when I play my favorite folk songs. When I begin appreciating a new style of music the emotions I experience suddenly make me realise why that style is loved & created by others. If your close-minded and only like one style then you only experience one level of enjoyment. I like loads of styles so experience lot of different levels of enjoyment!

My point is that you cannot criticise someone’s  taste in music purely  because it does not match up with yours. I suggest educating them on the finer points of the music you like while taking time to appreciate what it is they enjoy about theirs.

Does this make sense or are you just laughing at me now?! Dont forget to hit the orange subscribe button on the top  right and comment!

And in honor of the bass player who diddn’t know what to do when his amp wasn’t turned on yesterday. Watch this 30 second clip

Im Not Paying For Music. I spend Too Much On Beer.

Since the days of the cassette tape people have created pirate copies of their music and given it to friends. The dawn of the tinterweb made it possible for you to make pirate copies of albums from people you diddn’t even know. Now, with Spotify & Youtube, it seems people are being conditioned to expect to get their music for free. There is a vast debate about this in the music industry and its a complex matter. Im going to put a case forward for why you should support the artists you enjoy.

How much do you spend on your favorite vice each week? At the time of writing no one has designed a way of illegally downloading larger & cigarettes so Im going to assume you spend at least some of your earnings on something you can’t digitally duplicate. Even if your only hobby, other than listening to music, is miniature railway building, you wouldn’t dream of barging in to Hornby with 200 other “peers”  and making off with a plastic train. You spend money on things you enjoy, why don’t you spend on the music you enjoy?

Djs, I was buying tracks ‘back in the day’ when the only seriously way to mix was by buying vinyl records. At five quid a pop for one or two tracks it wasn’t cheap. Now with Juno Download & Beatport you can buy tunes for a pound each. What used to cost me 50 quid now costs me a tenner! Albums have now gone back to the price of £7 or £8, the price they were when they became popular in the sixties. You can not say that the music costs too much, its simply not true. When you take inflation in to account music is cheap compared to what it used to cost.

To quote a friend of mine, “Record companies have had it too easy for too long”. I guess so. The big record labels are huge multi national companies. Like most companies this size its difficult for them to change there approach to business over night. It will take time for them to come up with a model that works for them as well as you (Both parties need to like the model for it to work). If your new to this subject there are lots of new services/business models around, my guess is that soon enough one of these services will become profitable enough for the record labels to really get behind it. Check out Bobby Owsinski’s blog for a more in depth look at this.

Its drastically unfair to take so much enjoyment from something and not pay the price that has been set for it. Artists don’t get given money. They get given ‘Advances’, this is a pretty way of saying loan. The artist is given a loan from the record company and its the artists job to make a record & sell it. The money made from selling the album is used to pay back the loan. The artist works very hard & if they don’t re-coup the advance they will make virtually nothing in comparison to the amount of work they have done. I take a great amount of pleasure from the music I listen to & feel morally obliged to pay for it.

So how can you support the artists that you enjoy? You could buy the album or single, go see them perform, buy merchandise or donate money towards the next album (If they are using something like Pledge Music). For the sake of a pint a week you could buy one track from Juno a week & delete the pirated copy you once had.

You part with hard earned cash when you buy something as soul destroying as a chinese takeaway but you wont pay a couple of quid for that album you listen to over & over? What sort of twisted logic do you have to defend that?

Not going to listen? Here’s a tune you can legally download for free! x

FREE! Florence + The Machine – You Got The Love (Lee Mortimer 2011 Bootleg) by Lee Mortimer

Wireless Regulation Issue in the UK

As most people in the industry will know, many wireless channels we sold off to the telecoms industry a few years ago.  Its not long before regulations are put in place requiring you to obtain a license to use your wireless transceiver  if they  fall within the channel 69 category (854htz – 862htz).

As this article on wireless issues in the UK says, there isn’t allot you can do to fight this now. But you rest at night knowing you wrote to your MP objecting to the sell off at the time, right?

Save Our Sound UK have done an excellent job on informing the industry on what they need to do but there campaign seems to have gone a little dry recently.

The big news is that if you have wireless technology that is within the band width mentioned then there is a possibility of getting 50% of the price back. You must apply for this before the 1st of April though. Check the Save Our Sound page for info. Another point worth raising is that if you are sold kit that is within the frequency spectrum mentioned then there is also a legal requirement for the vendor to tell you about this. If you aren’t informed you can get your money back.

On a more cheery note. I wrote a blog post on what to wear to a festival. Go check it out!

Good luck…..

Why My Mum Hates Dance Music.

I love dance music. I also like and appreciate live bands, just not as much. One thing that really bugs me is the ignorance some people display when talking about dance music. Two arguments I hear go something like this.

“It all sounds the same”

“The tracks are just repetitive & don’t develop”

Lets look at these arguments in order. The “It all sounds the same to me” argument is the one I despise the most. Yodeling all sounds the same to me, but I understand why it sounds the same. The reason is because I have not spent hour upon hour listening to all the yodeling out there. If I did I would begin to pick up on the subtle differences between yodeler A & Yodeler B (I don’t know any yodelers) and discover different sounds that are common in each. If I played Metallica and Guns & Roses to my grandma she wouldn’t be able to tell the difference. It would all sound the same to her.

The truth is there are as many variations of dance music as there are rock music it’s just you haven’t listened to it enough to discover the subtleties of each style.

The tracks are just repetitive and don’t develop. Utter nonsense. If the track didn’t develop it would quickly get boring. One thing that makes a good dance track is how well it develops and keeps the listener interested/dancing. I remember my mother using this argument once. To prove a point I played a dance track and pointed out everything that changed throughout the track. The added samples 8 bars in, the addition of a hi-hat 16 bars in, the change in rhythm on the drums 24 bars in, more samples 32 bars in, sub bass added 40 bars in etc etc. The track was in fact changing & developing constantly. I then played her latest Robbie Williams CD. I have nothing against the adorable ‘Robbie’ it was just to hand. I asked her to play the CD but ignore the vocals. Just listen to the music. When you do this you find the tracks develops in a similar way to the dance music CD. Keyboard stabs were added 16 bars in, the drum rhythm got more complex 32 bars in, instead of samples a gospel choir came in 16 bars later.

“Samples don’t compare to a gospel choir” I heard her shout.
“No but they serve the same purpose in developing the song and drawing the listener further in” I said. The truth is the tracks do develop and if you are dancing to the music these subtle changes become more obvious and meaningful.

Another major factor to consider with dance music is that each track is designed to be enjoyed within a collection of other songs. Rock ballads take you on a roller-coaster ride of ups and downs and squeeze it all in to a five minute song. That’s great but dance music just hasn’t developed to be like that. Within an hours DJ set a good DJ will take you on a journey with highs, lows, different rhythms & styles in just the same way a good rock bands set may do. The amount of dance music tracks that are written with as many highs and lows as Guns & Roses ‘Paradise City’ are few and far between.

If you’re a rock music fan and feel you don’t have patience to be taken on a ‘journey’ similar to that in dance music, take a look at the journey you are taken on when you watch a rock band. The first song is usually a huge hit single with high energy. The second song is usually similar and the third song is usually a really slow tempo song or ballad to bring everyone back down to earth. The fourth song is the tricky bit. This is where bands put the ‘funky’ number they have. Its not high energy like the first two numbers (It couldn’t be) but it gives people something to move to. I’ve picked apart so many DJ and band sets and noticed that good ones usually follow the same formula. The rest of the set could then go anywhere but the development is comparable throughout.

I’m not saying you should get in to dance music. Like what you like, that’s fine with me. Just appreciate that other people enjoy music that is different to your tastes. They can appreciate certain aspects of a style that you cannot. I try not to discredit anyone’s taste in music as I know from experience that the music I used to hate suddenly becomes something that I love and when it does I don’t want the ‘I told you so’ brigade on my back.
Also Check out the gig I did last weekend… Heavy!